09.12.2005
Some press quotes:
URB - 3 1/2 out of 5 - "Mechanical Royalty
is Hip-hop 'so raw the Japanese think i'm edible', sublimely woven into
a solid record. Delicious cuts prove that Babbletron are penciled in for
hip-hop's progression."
ELEMENTAL - 3 out of 5 - "Pete's calm, measured flow and Jay's fierce,
throaty delivery is backed by DJ Pre's percussively chunky production."
YELLOW RAT BASTARD - "Babbletron is on point. Like the setup and
knockdown, the staright man and the loose cannon, the joke and the punchline,
MCs Cool Calm Pete and jaymanilla have more buddy repor than Siamese twins
in a 3-legged race. Add DJ Pre on the turntables and its like getting
Joe Pesci with your Riggs and Murtaugh, a good reason for a sequel."
TOKION - "These boys keep the hard, punishing beats coming without
pause - the production is ominous and understated, keepinthe focus on
the somber rhymes of jaymanilla and CalmPete, who spit literate and smart."
GRANDSLAM - "Ah, remember way back when Rap albums really hit you
as they ran the gamut of style all the way through? Remember when you
used to hear the needle hit the B-side runout and you flipped the disc
and started again and the tracks already sounded a second time around
like you'd known them all your life? Remember memorable productions? Cuts
with melody? Damn, Babbletron just took me back and forth like a loose
cakewalk on this new LP and I am grinning real wide. I may even go as
far as to say this is the most enjoyable Hip Hop LP I have heard in many
lean years."
XLR8R - "Babbletron suggests a robot with runaway syntax, which isn't
too far from the truth. Lyrically reminiscent of Pharaoh Monch and Cannibal
Ox, with beats supplied by MF Doom and Rjd2, these kids should do well
with fans of Aesop Rock."
ROCKPILE - 4 out of 5 - "jaymanilla, Calmpete and DJ Pre specialize
in impressively clever rhymes laid over a bed running the gamut from standard
old school, heavy to hypnotic, slinky jazz/funk grooves."

One of New York Cityís eternal contradictions has always been the sense of isolation that pervades a metropolis of eight million inhabitants. Amidst the teeming sidewalks, gridlocked intersections and cramped subways, a feeling of anonymity is often impossible to shake. While most New Yorkers struggle to emerge from the crowd, Babbletron was long content to remain secluded from the day-to-day sensory overload of the Gotham grind.
Artists have often exiled themselves from society in order to purify their vision. Some seek solitude in rattlesnake-ridden deserts or snow-capped Himalayan heights; Babbletron happened to find creative seclusion in a Brooklyn factory. The two native New Yorkers and a transplanted New Jerseyan carved out their own space--affectionately known as the "Shit Den Studio"--in a well-hidden Bushwick warehouse nestled between a doll-producing plant and a string manufacturer. Once tucked out of sight, the members of Babbletron were able to minimize New Yorkís countless distractions and focus on their one common goalómaking music. Although isolated, Babbletron has succeeded in producing music that is just as energetic, diverse and mindfuckingly beautiful as the city they call home.
ìWhen you have someone next to you saying ëyo, itís time to make fucking musicí, itís excellent,î says Babbletron emcee jaymanila. ìYou push the envelope, you go further with it. My relationship with these guys has grown and grown and grown, and itís all based on music.î Their chemistry is obvious, as the two vocalists, jaymanila and Calm-Pete, complement each other perfectly. Babbletron harmoniously weaves jaymanilaís furiously delivered cadences and Calm-Peteís thoughtful and metered musings over DJ Preís orchestrated production. The overall outcome is, as Babbletron would say, ìDope-- every day of the week!î
Despite their self-imposed Bushwick captivity, the group is not easily confined by the stigmatizing descriptions sloppily slapped onto many indie Hip-Hop artists. Sometimes cynical, sometimes optimistic and always infused with a dry wit, Babbletron draws from the full palate of human sentiment. They are as comfortable discussing an awkward conversation with a woman as they are addressing grim issues such as global warfare. ìThere is a whole range of emotion that gets limited by the grittiness of the underground,î says jaymanila. ìI canít believe when I hear certain people that negative things are all they consider in their lifeî.
With their critically-acclaimed debut Ramblers Anonymous under their belt, Babbletronís next project, Mechanical Royalty, will invade the private space of not only New Yorkers, but music listeners everywhere. The reclusive existence is done, the gestation period over. Babbletron is throwing open doors to its hidden Brooklyn laboratory and extending an open invitation to anyone willing to strap on those sturdy headphones. Embedded Music previously released the production duo Ese & Hipstaís debut album The Bedford Files. With the release of Mechanical Royalty, the label moves forward towards solidifying its reputation through consistency and innovation.
Babbletron
Mechanical Royalty

1. Need To Be
prod by Pre
2. Special FX
prod by Pre
listen
3. The Clock Song
prod by Rjd2
4. Interlude 1
prod by Pre
5. Birds
prod by Pre
6. Space Tech Banana Clip
prod by MF Doom
7. Chop!!!
prod by Ese
8. One Shot
prod by Pre
9. Hit Man Sonnet
prod by Hipsta
10. Interlude 2
prod by Pre
11. Broke Down
prod by Pre
12. ACWALL
prod by Pre
13. Dope
prod by Pre